Posts Tagged ‘DJ’

Underworld – Stagger

January 20, 2011

As far as blog posts go this one feels a bit like cheating.

Here’s the background for this one, then: for the first time in quite some time, I have a DJ gig coming up tomorrow! It’s actually going to be a first for me – I’ve never played a gig strictly with music in digital formats. In fact, this time I won’t even be bringing along my trusty Technics. Therefore this gig (actually a private event for the Boulder College of Massage Therapy) is opening up new possibilities for me, and I was digging through the music in my library when I came across this one — Underworld – Stagger (link directs you to a youtube upload of the track.) It’s a great track from Underworld’s Second Toughest in the Infants, an absolutely massive album and one of my all-time favorites. (Go buy the album if you don’t already own it. You have to have it, trust me.)

I really just wanted to post the lyrics to Stagger – really my sole motivation for this post. (I don’t know how they came up with the lyrics on this album, but I’ve heard they sometimes juxtaposed random text or snippets of recordings or conversations they captured; not too sure on this one.) And here it is:

Album cover for Underworld's Second Toughest in the Infants

orange in the mouth again. straighten.
wearing stonewashed denim again. straighten.
carrying something wrapped in plastic. straighten.
curled on the blue velveteen again. straighten.
straighten.

siteless yellow highrise. bethnal green. straighten.
corner tubeless dark and wet. straighten.
ten tons slowly then again. straighten.
with its glass eyes a blue formica halo.
stainless steel between the fingers. straighten.
pissed and leaning ponytail. licking
colonel sanders fingers.
the naming of killer boy.

everything’s going west nothings going east. straighten.
there’s no need to be so uptight. straighten.
make up for all their messes.
I could listen to you all day. what a laugh.
cut me I bleed like you. ha ha.
the naming of killer boy.

cover your teeth. I love you.
don’t bite me yet. I believe in you.
I found you shopping in Europa on
wardour street. not phoning packwidth.
guilty as sin. straighten.
scratches on paper. pissed in a tube hole. straighten.
smelling of deep-fried beans and whispering your name.
tube hole wind in my face. thunder in gentle distance.
reactor. reactor. do you mind. straighten.
this is a random feature. random feature.
this is a random feature.
naming of killer boy. wired up.

That is all.

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forecast for 2011: ill music ahead.

January 8, 2011

…and another post about fresh and exciting new music. Welcome to 2011.

I should admit at the outset that musically it’s hard for me to contain my excitement; for some reason it just seems as though all the music I’ve been hearing lately is amazing. And quite a lot of the electronic dance music I’ve been hearing is really beginning to unsettle a lot of my assumptions about what that category really means. There’s just a lot of good music coming out lately. It’s an exciting time to be interested in producing music – really an exciting time for absolutely anyone interested in envisioning the future of what the “music industry” might be like.

New stuff I’ve been hearing is fresh, and interesting, and dope – and more and more, blurring the lines between genres of electronic music faster than new ones can be created. And some of the new “genres” that have been cropping up reflect (at least to me and my ironic sensibilities) some serious grasping at straws. I mean, “brostep?” “Post-dubstep?” “Future bass”?

Actually, I think the latter is sort of innovative…but overall, what does this ever-abounding and increasing proliferation of genres really signify?

And if it almost seems like a sign of desperation (this persistent generation of new categories that struggle to keep up with the unclassifiability of the more hybrid and unclassifiable new frontiers of electronic dance music today), isn’t such desperation perhaps a positive indication? It seems like our capacity for naming things is frenetically being outpaced by the creativity and originality of a lot of the newer dance music of the past couple of years. (And I’m not just referring to developments in “dubstep,” “UK funky,” and “future bass” but also to newer stuff I’ve been hearing in the somewhat more well-established genres of drum & bass, minimal house, techno, grime…really the list goes on and on.) All I can say is, wicked. Bring on the freshness for 2011!

Commence my list of some of the freshness that’s been gracing my ears lately:

First to top off the list is IKONIKA. Ikonika, a.k.a. Sara Abdel-Hamid is KILLING it right now. I really liked her track Dckhdbtch (click the link to give it a listen via Boomkat). Definitely buying some of her stuff. She’s also going to be playing a few dates stateside and at MUTEK this year, so watch for that, especially if you’re in NY or LA.

I have Resident Advisor to thank for the following lead: a cutting-edge label from Germany called Fachwerk (myspace | mix / interview via RA).

I know it’s 2011, but I’m still craving more Basic Channel (site | digital releases via Boomkat ). I just bought a couple releases from the Scion sessions. Deep, deep, deep.

More music updates to follow shortly. I’ve got my fingers crossed that Portishead will make their move back into the studio and put out new material in the foreseeable future. Their last album, while different and perhaps challenging in certain ways, was good – at least, I liked it a lot, and so did other Portishead fans I talked to. I’m looking forward to hearing new stuff coming out of the Duck Down camp (will most likely be copping Buckshot’s forthcoming book – and speaking of hip-hop literature, the forthcoming book from Malice of the Clipse called Wretched, Pitiful, Poor, Blind, and Naked will be on the “must cop” list as well.) Overall I don’t even have much to say about hip-hop right now except that I’m well behind the times – but I do think this is a great time for hip-hop. There is tons of great stuff coming out and a high likelihood of lots more in 2011.

What else, what else? Oh yeah – I’m still really behind on the dubstep front, but one name has already captured my attention: Ramadanman (siteApplePips podcast). Great producer, and awesomely cool name too I might add. I just purchased the Ramadanman E.P. from last year, which he put out on his own imprint, Hessle Audio. I can’t resist posting the video for the last track on the E.P.: breathtakingly awesome jungle amazingness:

And, of course, there is so much more good music that’s been coming out that I’d love to write about. But it is now the following day from when I began this blog entry (no, I wasn’t writing continuously – I put it on hold last night to buy mp3s and go mix at a friend’s house), and now the shower is calling. Happy 2011 to all my bassheads, friends, and people everywhere!

fresh music roundup/ personal update…

December 24, 2010

What’s up everyone?

Akiva here. I haven’t posted an entry in quite some time. The following represents an attempt at a brief summary of what I’ve been up to, and also a recap (as always at least as much for my own benefit as for my readership) of some of the great music I’ve been hearing lately.

Here goes…

Well, firstly, I fulfilled a long-standing goal earlier this month when I bought the Apogee Duet and Logic Studio – two powerful audio tools that will go a long way toward helping me begin to establish a small home-based audio production studio. How exciting! I’ve barely begun to scratch the surface of Logic, but I do have some previous experience with audio software so I don’t feel like I’m totally starting from scratch.

This purchase, though, is undoubtedly a big part of why I’m so excited about music right now (and the improvement in audio quality after I got the Duet set up was noticeable). Here are some highlights for me as far as stuff I’ve heard that’s either come out recently or is forthcoming (warning: this list will be rather eclectic):

1. My Father Will Guide Me Up a Rope to the Sky: Swans (site). Let me be blunt: I was fucking ecstatic to hear that Michael Gira decided to reunite the Swans. This album does not disappoint. The first track, “No Words / No Thoughts,” which clocks in at 9:24, starts out ambient, and builds menacingly and forebodingly for minutes until it explodes into a repetitive riff that breaks down into the familiar Swans “wall of sound”…a sequence that refreshingly goes on and on, as though to make up for the years of silence since the Swans disbanded in the ’90s. It’s a wonderful album.

2. 2D33P is a new drum & bass project and label from Trace and Voyager, “focusing on the ’94 vibe and beyond.” All you really need to do is click that link (it leads to their soundcloud page), and listen to the tracks. Unless your soul is immune to sub-bass frequencies and breakbeats (in short unless you don’t like jungle and aren’t willing to be receptive to something new), you’ll see why I’m excited. I’ve also heard a couple clips of tracks forthcoming in 2011 on Trace’s legendary drum & bass label DSCI4.

Speaking of which (and I’m going to probably going to do an entirely distinct post just for this, because I don’t want the link to get lost in the mix), there is a link on the DSCI4 soundcloud page to a mix by Trace and Ed Rush from 1997 called the No U Turn Experience. If you have any interest in drum & bass history, `90s era techstep, and the legacy of underground institution that is No U Turn, don’t pass it up.

Looking at iTunes, I’m beginning to realize I probably only bought one or two releases this entire year. You know what? That’s not going to stop me. I’m going to tell an uber-brief story to illustrate why I think dope releases from 2009 and even (dare I say it?) 2008 are still worthy of mention…

Two days ago, I happily checked out a free track being given away by Blu Mar Ten for Christmas. It’s a total banger. Anyway, some asshole posts a comment, like, “Wow, this track is amazing – can’t believe it’s four years old!”

RIGHT – because it’s only in the last three years that technology has finally enabled us to make amazing music! Everything before then, while still noteworthy, is now going to be relegated to a bygone era. Because…now every producer can afford a DAW, and Ableton and Autotune and etc. etc. etc. Thank God that after millenia of primitive audio production techniques good music will finally be within our reach…OK, now that the rant is over, I’m simply going to say that there’s so much good music that’s always coming out, I’m obviously at least two or three years behind even on the stuff I like to follow most. . . like hip-hop and d & b.

3. Something that’s fresh right now…Duck Down Records!! These guys are KILLING it right now. I still need to catch up on the last five years of dope releases from them. My “to cop” list includes some of the Buckshot & 9th Wonder collabs, the Heltah Skeltah albums that have come out since they reunited a couple years ago…Sean Price’s solo stuff…Boot Camp Clik…oh my god, the shit is fresh. Brooklyn is definitely on the map right now.

4. I gotta mention my man Dash Speaks, a very talented MC, DJ, and producer that I went to high school with. What he does is fresh and original – I just downloaded his album Geography a couple months ago and really, really liked it. His lyrics and approach are unique; the production is an innovative hybrid between hip-hop simplicity and a sort of electronic dance music synth / beat aesthetic, making the album accessible without sacrificing its integrity (if you ask me).

As a matter of fact, you can too. Check a review and free download link here. Dash, Speak brother!

5. It came out last year, but Rakim’s Seventh Seal is fire. Go get it if you haven’t already.

6. While dubstep and dubstep influenced bass-heavy music has continued to become increasingly trendy, drum & bass producers and labels have been stepping up their game over the past year and many of them are killing it. A label that has consistently delivered in terms of quality and originality has been Critical. Without getting too sappy or gushing praise, I gotta say that Critical exemplifies what’s good and what’s always been good about drum & bass. The sounds are varied and diverse. The production quality is always high, and the tracks tend to be on the moodier and techier side, but other than that, the criteria seem to be whatever Kasra thinks fits the label, which is a good approach, and has really allowed Critical to hone and define its own sound. I love what they’ve been doing.

7. A label I’ve had my eye on for quite some time, but which has really put itself on the map and garnered some attention in 2010 is Shogun Audio. Friction has done a good job showcasing a diverse range of musical talent. I would have to say that it is labels like Shogun, Critical, Exit (D-Bridge’s label and one of my faves – killing it right now) that have done a great deal to release material that reshapes the templates for what we used to define as “techstep,” “liquid,” and so on. Rightfully, much of the new d & b straddles several of these arenas. I’m also really happy to see the stripped-down sound that D-Bridge, Instra:mental, and Spectrasoul are pushing to start to get more acceptance. When Shogun Audio first showed up on the scene, I expected Friction to release forward-thinking d & b with deep roots in techstep and the “neurofunk” tradition. Of course, he did; but over the past year he’s also been pushing the envelope with tracks that hardly fit that description. His podcast has featured guest appearances from the likes of Spectrasoul, Lenzman and Rockwell. Shogun is killing it, and doing its part to help shape the new sound of drum & bass for the 21st century. With new material from Alix Perez and Icicle, Friction seems to have done a good job balancing releases from established artists with stuff from more up-and-coming producer. Cheers to the Shogun Audio massive…assassinating the global scene right now.

8. Frankly (and this could just be a reflection of my musical tastes changing), although I’ve always respected them but never been a hugely dedicated fan, I’m kind of warming up to Hospital Records. Obviously they are a total institution by now, and with fresh and hugely popular new acts on their roster like Netsky, they hardly need my endorsement. But I still want to recognize this label for their contributions. Again, a few years ago it seemed like you could pretty much sort d & b tracks by category: liquid, neuro, roller, jump-up, wobble (remember “clownstep”?), hardstep, ragga, jungle…FUCK that! Listen to the new d & b and it’s liquid / neuro-funk / dancefloor / tech. jungle. THAT’s what I’m talking about. (A LITTLE more innovation with the breaks probably couldn’t hurt…but my point is simple: d & b is fresh now so fuck the haters! Frankly more dubstep illustrates the problems associated with d & b than d & b does these days. But feel free to make use of the comment form if you want to argue that point – this is swiftly turning into a rant.) Although in any case, I gotta say, the old school vibes are making a comeback. And that’s something that makes me happy.

9. I guess now that I’ve consulted my iTunes library, I realize that Nine Inch Nails’ free album the slip was actually released in 2008. But I only found about it and downloaded it a few weeks ago. Well, it’s good. Thanks for the free music Trent…and for keeping Nine Inch Nails alive. rock on! And while I’m on the topic of 2008…Portishead‘s Third is fucking awesome. Bleak and cynical and wonderful. It took me a few listens to get into it. Totally worth while. Here, watch the video for Magic Doors.

(I’ve got to grab some dinner…to be continued)

P.S. Bonus video link…O.G.C. – Hurricane Starang. With Heltah Skeltah. It’s a real banger, not to be missed.

Still to come…artists I’m just beginning to discover and still want to check out…labels to watch…producers to watch…forthcoming albums I’m excited about. The round-up will continue! Peace, love and enjoyment…hope everyone that’s reading this has enough reason to stay positive going into 2011. I’m out.

new mix up for download

February 13, 2010

So I mixed for about an hour today and recorded the session. Not all the mixes are that clean, but I’m perfectly happy making it available for download anyway. There are some definite older gems in here, too. (And a couple records that aren’t too ancient). =]

click here (or right-click and save as…): a forgotten present

<megatech> <megatech> <megatech> <megatech> <megatech> <megatech> <megatech>


jonny l: synkronize {metalheadz)

the clipse: cot damn {arista}

juju: magia negra {breakbeat science}

livewire: the zone {big cat records japan}

cause 4 concern: sensors {c4c recordings}

delta & format: move me {reinforced}

future prophecies: electronic funk {subtitles}

technical itch vs. kemal: signal trace {moving shadow}

rymetyme / optical: shapecharge {1210}

>>>keaton & verse: redemption<<< {refuge}

keaton & hive: no hope? {refuge}

psychosis: blue skies (ray keith remix) {trouble on vinyl}

dom & roland: can’t punish me {moving shadow}

skeptic: tear {a-sides}

dune: contact (dune remix) {breakbeat science}

d-bridge: original world {exit}

        • <megatech> <megatech> <megatech> <megatech> <megatech> <megatech> <megatech>

what I’m doing next week.

August 14, 2009

This is another one of those “write something on the blog so I give it some thought” posts.

I’m taking a week off from work – the week before school starts (well actually I quit my job, too, but that’s another story) – for pretty much the first time in the past year (not counting family events).I’m not really going anywhere, but here are some of the possible ways I might spend my time (besides staying home and doing nothing, which is the most important one):

go to Denver, check out my friend Scott‘s new place, catch up with some friends that have just recently returned from Spain, and maybe pay a visit to one of my favorite pubs

finish reading Discipline & Punish (I’m getting there), order books for school, organize / move the hell out of the way the many I already own (this includes setting aside a lot more to get rid of), and pay a visit to the Ginsburg library – maybe check out Derrida’s Acts of Religion

spend some time hanging out with my turntables (I cleaned them pretty thoroughly this week, outside and in – but I haven’t mixed much in ages). hopefully Sennheiser will ship my headphones back to me before then (I sent my HD280s to them for repairs and they very promptly shipped me the wrong ones; not talking shit because they make good stuff, but I will be happy when the proper model arrives)

practice karate more outside of class. I was on a roll for a few weeks, but then the heat and my laziness made their presence known.

figure out how to ask out girls I don’t know (I suck at this. yet it’s always the ones I don’t know that I’m most interested in). then go out and do it. (yes I have a particular person in mind)

do something to organize my room and make it look better.

get my hair cut.

try to hang out with friends at least twice, and if possible catch a DJ or some live music (in Denver needless to say)

drink cold beer on a hot afternoon.

do a lot of nothing.

YES. my vacation is going to be awesome. I just realized this list is at least 85% about me. Narcissism has its place and I welcome it.

click for audio…

June 4, 2009

I probably should have posted this a long time ago. As many of my friends know, I DJ – mostly drum & bass – under the alias <megatech> (hence my blog URL…)

New mixes are long overdue, and at least one will be forthcoming this summer. I probably should actually set my sights high by promising an all house / techno mix, but that will have to wait at least until I put my money where my mouth is (and also remedy my tech / house illiteracy).

In any case, idle banter aside, here is an older mix from me. In reality it was just a bedroom practice session that went rather well. It showcases some of the d & b styles I favor when I’m behind the decks. Link is here (right-click / Mac: control + click to save audio file or open in your media player of choice).

more mixes coming soon, I promise…

Please feel free to check out my page on virb.com, where you can find a couple other mixes available for streaming / download. One has a few questionable moments as far as mixing goes, but I’ll let you discover that for yourself…

Cheers, and as always, feel free to leave comments.